CVPR 2023 论文列表

We launch EVA, a vision-centric foundation model to explore the limits of visual representation at scale using only publicly accessible data. EVA is a vanilla ViT pre-trained to reconstruct the masked out image-text aligned vision features conditioned on visible image patches. Via this pretext task, we can efficiently scale up EVA to one billion parameters, and sets new records on a broad range of representative vision downstream tasks, such as image recognition, video action recognition, object detection, instance segmentation and semantic segmentation without heavy supervised training. Moreover, we observe quantitative changes in scaling EVA result in qualitative changes in transfer learning performance that are not present in other models. For instance, EVA takes a great leap in the challenging large vocabulary instance segmentation task: our model achieves almost the same state-of-the-art performance on LVIS dataset with over a thousand categories and COCO dataset with only eighty categories. Beyond a pure vision encoder, EVA can also serve as a vision-centric, multi-modal pivot to connect images and text. We find initializing the vision tower of a giant CLIP from EVA can greatly stabilize the training and outperform the training from scratch counterpart with much fewer samples and less compute, providing a new direction for scaling up and accelerating the costly training of multi-modal foundation models.

Recently, deep Stereo Matching (SM) networks have shown impressive performance and attracted increasing attention in computer vision. However, existing deep SM networks are prone to learn dataset-dependent shortcuts, which fail to generalize well on unseen realistic datasets. This paper takes a step towards training robust models for the domain generalized SM task, which mainly focuses on learning shortcut-invariant representation from synthetic data to alleviate the domain shifts. Specifically, we propose a Hierarchical Visual Transformation (HVT) network to 1) first transform the training sample hierarchically into new domains with diverse distributions from three levels: Global, Local, and Pixel, 2) then maximize the visual discrepancy between the source domain and new domains, and minimize the cross-domain feature inconsistency to capture domain-invariant features. In this way, we can prevent the model from exploiting the artifacts of synthetic stereo images as shortcut features, thereby estimating the disparity maps more effectively based on the learned robust and shortcut-invariant representation. We integrate our proposed HVT network with SOTA SM networks and evaluate its effectiveness on several public SM benchmark datasets. Extensive experiments clearly show that the HVT network can substantially enhance the performance of existing SM networks in synthetic-to-realistic domain generalization.

We present Diversity-Aware Meta Visual Prompting (DAM-VP), an efficient and effective prompting method for transferring pre-trained models to downstream tasks with frozen backbone. A challenging issue in visual prompting is that image datasets sometimes have a large data diversity whereas a per-dataset generic prompt can hardly handle the complex distribution shift toward the original pretraining data distribution properly. To address this issue, we propose a dataset Diversity-Aware prompting strategy whose initialization is realized by a Meta-prompt. Specifically, we cluster the downstream dataset into small homogeneity subsets in a diversity-adaptive way, with each subset has its own prompt optimized separately. Such a divide-and-conquer design reduces the optimization difficulty greatly and significantly boosts the prompting performance. Furthermore, all the prompts are initialized with a meta-prompt, which is learned across several datasets. It is a bootstrapped paradigm, with the key observation that the prompting knowledge learned from previous datasets could help the prompt to converge faster and perform better on a new dataset. During inference, we dynamically select a proper prompt for each input, based on the feature distance between the input and each subset. Through extensive experiments, our DAM-VP demonstrates superior efficiency and effectiveness, clearly surpassing previous prompting methods in a series of downstream datasets for different pretraining models. Our code is available at: https://github.com/shikiw/DAM-VP.

Existing audio-visual event localization (AVE) handles manually trimmed videos with only a single instance in each of them. However, this setting is unrealistic as natural videos often contain numerous audio-visual events with different categories. To better adapt to real-life applications, in this paper we focus on the task of dense-localizing audio-visual events, which aims to jointly localize and recognize all audio-visual events occurring in an untrimmed video. The problem is challenging as it requires fine-grained audio-visual scene and context understanding. To tackle this problem, we introduce the first Untrimmed Audio-Visual (UnAV-100) dataset, which contains 10K untrimmed videos with over 30K audio-visual events. Each video has 2.8 audio-visual events on average, and the events are usually related to each other and might co-occur as in real-life scenes. Next, we formulate the task using a new learning-based framework, which is capable of fully integrating audio and visual modalities to localize audio-visual events with various lengths and capture dependencies between them in a single pass. Extensive experiments demonstrate the effectiveness of our method as well as the significance of multi-scale cross-modal perception and dependency modeling for this task.

Learning dense visual representations without labels is an arduous task and more so from scene-centric data. We propose to tackle this challenging problem by proposing a Cross-view consistency objective with an Online Clustering mechanism (CrOC) to discover and segment the semantics of the views. In the absence of hand-crafted priors, the resulting method is more generalizable and does not require a cumbersome pre-processing step. More importantly, the clustering algorithm conjointly operates on the features of both views, thereby elegantly bypassing the issue of content not represented in both views and the ambiguous matching of objects from one crop to the other. We demonstrate excellent performance on linear and unsupervised segmentation transfer tasks on various datasets and similarly for video object segmentation. Our code and pre-trained models are publicly available at https://github.com/stegmuel/CrOC.

We introduce Correlational Image Modeling (CIM), a novel but surprisingly effective approach to self-supervised visual pre-training. Our CIM performs a simple pretext task: we randomly crop image regions (exemplar) from an input image (context) and predict correlation maps between the exemplars and the context. Three key designs enable correlational image modeling as a nontrivial and meaningful self-supervisory task. First, to generate useful exemplar-context pairs, we consider cropping image regions with various scales, shapes, rotations, and transformations. Second, we employ a bootstrap learning framework that involves online and target networks. During pre-training, the former takes exemplars as inputs while the latter converts the context. Third, we model the output correlation maps via a simple cross-attention block, within which the context serves as queries and the exemplars offer values and keys. We show that CIM performs on par or better than the current state of the art on self-supervised and transfer benchmarks.

The sound effects that designers add to videos are designed to convey a particular artistic effect and, thus, may be quite different from a scene's true sound. Inspired by the challenges of creating a soundtrack for a video that differs from its true sound, but that nonetheless matches the actions occurring on screen, we propose the problem of conditional Foley. We present the following contributions to address this problem. First, we propose a pretext task for training our model to predict sound for an input video clip using a conditional audio-visual clip sampled from another time within the same source video. Second, we propose a model for generating a soundtrack for a silent input video, given a user-supplied example that specifies what the video should "sound like". We show through human studies and automated evaluation metrics that our model successfully generates sound from video, while varying its output according to the content of a supplied example.

With only video-level event labels, this paper targets at the task of weakly-supervised audio-visual event perception (WS-AVEP), which aims to temporally localize and categorize events belonging to each modality. Despite the recent progress, most existing approaches either ignore the unsynchronized property of audio-visual tracks or discount the complementary modality for explicit enhancement. We argue that, for an event residing in one modality, the modality itself should provide ample presence evidence of this event, while the other complementary modality is encouraged to afford the absence evidence as a reference signal. To this end, we propose to collect Cross-Modal Presence-Absence Evidence (CMPAE) in a unified framework. Specifically, by leveraging uni-modal and cross-modal representations, a presence-absence evidence collector (PAEC) is designed under Subjective Logic theory. To learn the evidence in a reliable range, we propose a joint-modal mutual learning (JML) process, which calibrates the evidence of diverse audible, visible, and audi-visible events adaptively and dynamically. Extensive experiments show that our method surpasses state-of-the-arts (e.g., absolute gains of 3.6% and 6.1% in terms of event-level visual and audio metrics). Code is available in github.com/MengyuanChen21/CVPR2023-CMPAE.

This paper introduces submodel co-training, a regularization method related to co-training, self-distillation and stochastic depth. Given a neural network to be trained, for each sample we implicitly instantiate two altered networks, "submodels", with stochastic depth: i.e. activating only a subset of the layers and skipping others. Each network serves as a soft teacher to the other, by providing a cross-entropy loss that complements the regular softmax cross-entropy loss provided by the one-hot label. Our approach, dubbed "cosub", uses a single set of weights, and does not involve a pre-trained external model or temporal averaging. Experimentally, we show that submodel co-training is effective to train backbones for recognition tasks such as image classification and semantic segmentation, and that our approach is compatible with multiple recent architectures, including RegNet, PiT, and Swin. We report new state-of-the-art results for vision transformers trained on ImageNet only. For instance, a ViT-B pre-trained with cosub on Imagenet-21k achieves 87.4% top-1 acc. on Imagenet-val.

Incorporating the audio stream enables Video Saliency Prediction (VSP) to imitate the selective attention mechanism of human brain. By focusing on the benefits of joint auditory and visual information, most VSP methods are capable of exploiting semantic correlation between vision and audio modalities but ignoring the negative effects due to the temporal inconsistency of audio-visual intrinsics. Inspired by the biological inconsistency-correction within multi-sensory information, in this study, a consistency-aware audio-visual saliency prediction network (CASP-Net) is proposed, which takes a comprehensive consideration of the audio-visual semantic interaction and consistent perception. In addition a two-stream encoder for elegant association between video frames and corresponding sound source, a novel consistency-aware predictive coding is also designed to improve the consistency within audio and visual representations iteratively. To further aggregate the multi-scale audio-visual information, a saliency decoder is introduced for the final saliency map generation. Substantial experiments demonstrate that the proposed CASP-Net outperforms the other state-of-the-art methods on six challenging audio-visual eye-tracking datasets. For a demo of our system please see https://woshihaozhu.github.io/CASP-Net/.

We study learning object segmentation from unlabeled videos. Humans can easily segment moving objects without knowing what they are. The Gestalt law of common fate, i.e., what move at the same speed belong together, has inspired unsupervised object discovery based on motion segmentation. However, common fate is not a reliable indicator of objectness: Parts of an articulated / deformable object may not move at the same speed, whereas shadows / reflections of an object always move with it but are not part of it. Our insight is to bootstrap objectness by first learning image features from relaxed common fate and then refining them based on visual appearance grouping within the image itself and across images statistically. Specifically, we learn an image segmenter first in the loop of approximating optical flow with constant segment flow plus small within-segment residual flow, and then by refining it for more coherent appearance and statistical figure-ground relevance. On unsupervised video object segmentation, using only ResNet and convolutional heads, our model surpasses the state-of-the-art by absolute gains of 7/9/5% on DAVIS16 / STv2 / FBMS59 respectively, demonstrating the effectiveness of our ideas. Our code is publicly available.

With the surge of large-scale pre-trained models (PTMs), fine-tuning these models to numerous downstream tasks becomes a crucial problem. Consequently, parameter efficient transfer learning (PETL) of large models has grasped huge attention. While recent PETL methods showcase impressive performance, they rely on optimistic assumptions: 1) the entire parameter set of a PTM is available, and 2) a sufficiently large memory capacity for the fine-tuning is equipped. However, in most real-world applications, PTMs are served as a black-box API or proprietary software without explicit parameter accessibility. Besides, it is hard to meet a large memory requirement for modern PTMs. In this work, we propose black-box visual prompting (BlackVIP), which efficiently adapts the PTMs without knowledge about model architectures and parameters. BlackVIP has two components; 1) Coordinator and 2) simultaneous perturbation stochastic approximation with gradient correction (SPSA-GC). The Coordinator designs input-dependent image-shaped visual prompts, which improves few-shot adaptation and robustness on distribution/location shift. SPSA-GC efficiently estimates the gradient of a target model to update Coordinator. Extensive experiments on 16 datasets demonstrate that BlackVIP enables robust adaptation to diverse domains without accessing PTMs' parameters, with minimal memory requirements. Code: https://github.com/changdaeoh/BlackVIP

Sound source localization is a typical and challenging task that predicts the location of sound sources in a video. Previous single-source methods mainly used the audio-visual association as clues to localize sounding objects in each frame. Due to the mixed property of multiple sound sources in the original space, there exist rare multi-source approaches to localizing multiple sources simultaneously, except for one recent work using a contrastive random walk in the graph with images and separated sound as nodes. Despite their promising performance, they can only handle a fixed number of sources, and they cannot learn compact class-aware representations for individual sources. To alleviate this shortcoming, in this paper, we propose a novel audio-visual grouping network, namely AVGN, that can directly learn category-wise semantic features for each source from the input audio mixture and frame to localize multiple sources simultaneously. Specifically, our AVGN leverages learnable audio-visual class tokens to aggregate class-aware source features. Then, the aggregated semantic features for each source can be used as guidance to localize the corresponding visual regions. Compared to existing multi-source methods, our new framework can localize a flexible number of sources and disentangle category-aware audio-visual representations for individual sound sources. We conduct extensive experiments on MUSIC, VGGSound-Instruments, and VGG-Sound Sources benchmarks. The results demonstrate that the proposed AVGN can achieve state-of-the-art sounding object localization performance on both single-source and multi-source scenarios.

Current fine-grained visual classification (FGVC) models are isolated. In practice, we first need to identify the coarse-grained label of an object, then select the corresponding FGVC model for recognition. This hinders the application of the FGVC algorithm in real-life scenarios. In this paper, we propose an erudite FGVC model jointly trained by several different datasets, which can efficiently and accurately predict an object's fine-grained label across the combined label space. We found through a pilot study that positive and negative transfers co-occur when different datasets are mixed for training, i.e., the knowledge from other datasets is not always useful. Therefore, we first propose a feature disentanglement module and a feature re-fusion module to reduce negative transfer and boost positive transfer between different datasets. In detail, we reduce negative transfer by decoupling the deep features through many dataset-specific feature extractors. Subsequently, these are channel-wise re-fused to facilitate positive transfer. Finally, we propose a meta-learning based dataset-agnostic spatial attention layer to take full advantage of the multi-dataset training data, given that localisation is dataset-agnostic between different datasets. Experimental results across 11 different mixed-datasets built on four different FGVC datasets demonstrate the effectiveness of the proposed method. Furthermore, the proposed method can be easily combined with existing FGVC methods to obtain state-of-the-art results.

Masked visual modeling (MVM) has been recently proven effective for visual pre-training. While similar reconstructive objectives on video inputs (e.g., masked frame modeling) have been explored in video-language (VidL) pre-training, previous studies fail to find a truly effective MVM strategy that can largely benefit the downstream performance. In this work, we systematically examine the potential of MVM in the context of VidL learning. Specifically, we base our study on a fully end-to-end VIdeO-LanguagE Transformer (VIOLET), where the supervision from MVM training can be backpropagated to the video pixel space. In total, eight different reconstructive targets of MVM are explored, from low-level pixel values and oriented gradients to high-level depth maps, optical flow, discrete visual tokens, and latent visual features. We conduct comprehensive experiments and provide insights into the factors leading to effective MVM training, resulting in an enhanced model VIOLETv2. Empirically, we show VIOLETv2 pre-trained with MVM objective achieves notable improvements on 13 VidL benchmarks, ranging from video question answering, video captioning, to text-to-video retrieval.

In this work, we present a multimodal solution to the problem of 4D face reconstruction from monocular videos. 3D face reconstruction from 2D images is an under-constrained problem due to the ambiguity of depth. State-of-the-art methods try to solve this problem by leveraging visual information from a single image or video, whereas 3D mesh animation approaches rely more on audio. However, in most cases (e.g. AR/VR applications), videos include both visual and speech information. We propose AVFace that incorporates both modalities and accurately reconstructs the 4D facial and lip motion of any speaker, without requiring any 3D ground truth for training. A coarse stage estimates the per-frame parameters of a 3D morphable model, followed by a lip refinement, and then a fine stage recovers facial geometric details. Due to the temporal audio and video information captured by transformer-based modules, our method is robust in cases when either modality is insufficient (e.g. face occlusions). Extensive qualitative and quantitative evaluation demonstrates the superiority of our method over the current state-of-the-art.