SIGGRAPH Asia 2019 Papers

We propose a novel generic shape optimization method for CAD models based on the eXtended Finite Element Method (XFEM). Our method works directly on the intersection between the model and a regular simulation grid, without the need to mesh or remesh, thus removing a bottleneck of classical shape optimization strategies. This is made possible by a novel hierarchical integration scheme that accurately integrates finite element quantities with sub-element precision. For optimization, we efficiently compute analytical shape derivatives of the entire framework, from model intersection to integration rule generation and XFEM simulation. Moreover, we describe a differentiable projection of shape parameters onto a constraint manifold spanned by user-specified shape preservation, consistency, and manufacturability constraints. We demonstrate the utility of our approach by optimizing mass distribution, strength-to-weight ratio, and inverse elastic shape design objectives directly on parameterized 3D CAD models.

We present Write-A-Video, a tool for the creation of video montage using mostly text-editing. Given an input themed text and a related video repository either from online websites or personal albums, the tool allows novice users to generate a video montage much more easily than current video editing tools. The resulting video illustrates the given narrative, provides diverse visual content, and follows cinematographic guidelines. The process involves three simple steps: (1) the user provides input, mostly in the form of editing the text, (2) the tool automatically searches for semantically matching candidate shots from the video repository, and (3) an optimization method assembles the video montage. Visual-semantic matching between segmented text and shots is performed by cascaded keyword matching and visual-semantic embedding, that have better accuracy than alternative solutions. The video assembly is formulated as a hybrid optimization problem over a graph of shots, considering temporal constraints, cinematography metrics such as camera movement and tone, and user-specified cinematography idioms. Using our system, users without video editing experience are able to generate appealing videos.

Near-eye displays using holographic projection are emerging as an exciting display approach for virtual and augmented reality at high-resolution without complex optical setups --- shifting optical complexity to computation. While precise phase modulation hardware is becoming available, phase retrieval algorithms are still in their infancy, and holographic display approaches resort to heuristic encoding methods or iterative methods relying on various relaxations. In this work, we depart from such existing approximations and solve the phase retrieval problem for a hologram of a scene at a single depth at a given time by revisiting complex Wirtinger derivatives, also extending our framework to render 3D volumetric scenes. Using Wirtinger derivatives allows us to pose the phase retrieval problem as a quadratic problem which can be minimized with first-order optimization methods. The proposed Wirtinger Holography is flexible and facilitates the use of different loss functions, including learned perceptual losses parametrized by deep neural networks, as well as stochastic optimization methods. We validate this framework by demonstrating holographic reconstructions with an order of magnitude lower error, both in simulation and on an experimental hardware prototype.

In physically-based simulation, it is essential to choose appropriate material parameters to generate desirable simulation results. In many cases, however, choosing appropriate material parameters is very challenging, and often tedious trial-and-error parameter tuning steps are inevitable. In this paper, we propose a real-to-virtual parameter transfer framework that identifies material parameters of viscous fluids with example video data captured from real-world phenomena. Our method first extracts positional data of fluids and then uses the extracted data as a reference to identify the viscosity parameters, combining forward viscous fluid simulations and parameter optimization in an iterative process. We evaluate our method with a range of synthetic and real-world example data, and demonstrate that our method can identify the hidden physical variables and viscosity parameters. This set of recovered physical variables and parameters can then be effectively used in novel scenarios to generate viscous fluid behaviors visually consistent with the example videos.

Many existing Monte Carlo methods rely on multiple importance sampling (MIS) to achieve robustness and versatility. Typically, the balance or power heuristics are used, mostly thanks to the seemingly strong guarantees on their variance. We show that these MIS heuristics are oblivious to the effect of certain variance reduction techniques like stratification. This shortcoming is particularly pronounced when unstratified and stratified techniques are combined (e.g., in a bidirectional path tracer). We propose to enhance the balance heuristic by injecting variance estimates of individual techniques, to reduce the variance of the combined estimator in such cases. Our method is simple to implement and introduces little overhead.

Artistically controlling fluids has always been a challenging task. Optimization techniques rely on approximating simulation states towards target velocity or density field configurations, which are often handcrafted by artists to indirectly control smoke dynamics. Patch synthesis techniques transfer image textures or simulation features to a target flow field. However, these are either limited to adding structural patterns or augmenting coarse flows with turbulent structures, and hence cannot capture the full spectrum of different styles and semantically complex structures. In this paper, we propose the first Transport-based Neural Style Transfer (TNST) algorithm for volumetric smoke data. Our method is able to transfer features from natural images to smoke simulations, enabling general content-aware manipulations ranging from simple patterns to intricate motifs. The proposed algorithm is physically inspired, since it computes the density transport from a source input smoke to a desired target configuration. Our transport-based approach allows direct control over the divergence of the stylization velocity field by optimizing incompressible and irrotational potentials that transport smoke towards stylization. Temporal consistency is ensured by transporting and aligning subsequent stylized velocities, and 3D reconstructions are computed by seamlessly merging stylizations from different camera viewpoints.

Over the past century, as display evolved, people have demanded more realistic and immersive experiences in theaters. Here, we present a tomographic projector for a volumetric display system that accommodates large audiences while providing a uniform experience. The tomographic projector combines high-speed digital micromirror and three spatial light modulators to refresh projection images at 7200 Hz. With synchronization of the tomographic projector and wearable focus-tunable eyepieces, the presented system can reconstruct 60 focal planes for volumetric representation right in front of audiences. We demonstrate proof of concept of the proposed system by implementing a miniaturized theater environment. Experimentally, we show that this system has wide expressible depth range with focus cues from 25 cm to optical infinity with sufficient tolerance while preserving high resolution and contrast. We also confirm that the proposed system provides uniform experience in a wide range of viewing zone through simulation and experiment. Additionally, the tomographic projector has capability to equalize vergence state that varies in conventional stereoscopic 3D theater according to viewing position as well as interpupillary distance. This study is concluded with thorough discussion about tomographic projectors in terms of challenges and research issues.

We present "The Relightables", a volumetric capture system for photorealistic and high quality relightable full-body performance capture. While significant progress has been made on volumetric capture systems, focusing on 3D geometric reconstruction with high resolution textures, much less work has been done to recover photometric properties needed for relighting. Results from such systems lack high-frequency details and the subject's shading is prebaked into the texture. In contrast, a large body of work has addressed relightable acquisition for image-based approaches, which photograph the subject under a set of basis lighting conditions and recombine the images to show the subject as they would appear in a target lighting environment. However, to date, these approaches have not been adapted for use in the context of a high-resolution volumetric capture system. Our method combines this ability to realistically relight humans for arbitrary environments, with the benefits of free-viewpoint volumetric capture and new levels of geometric accuracy for dynamic performances. Our subjects are recorded inside a custom geodesic sphere outfitted with 331 custom color LED lights, an array of high-resolution cameras, and a set of custom high-resolution depth sensors. Our system innovates in multiple areas: First, we designed a novel active depth sensor to capture 12.4 MP depth maps, which we describe in detail. Second, we show how to design a hybrid geometric and machine learning reconstruction pipeline to process the high resolution input and output a volumetric video. Third, we generate temporally consistent reflectance maps for dynamic performers by leveraging the information contained in two alternating color gradient illumination images acquired at 60Hz. Multiple experiments, comparisons, and applications show that The Relightables significantly improves upon the level of realism in placing volumetrically captured human performances into arbitrary CG scenes.

We introduce the Reduced Immersed Method (RIM) for the real-time simulation of two-way coupled incompressible fluids and elastic solids and the interaction of multiple deformables with (self-)collisions. Our framework is based on a novel discretization of the immersed boundary equations of motion, which model fluid and deformables as a single incompressible medium and their interaction as a unified system on a fixed domain combining Eulerian and Lagrangian terms. One advantage for real-time simulations resulting from this modeling is that two-way coupling phenomena can be faithfully simulated while avoiding costly calculations such as tracking the deforming fluid-solid interfaces and the associated fluid boundary conditions. Our discretization enables the combination of a PIC/FLIP fluid solver with a reduced-order Lagrangian elasticity solver. Crucial for the performance of RIM is the efficient transfer of information between the elasticity and the fluid solver and the synchronization of the Lagrangian and Eulerian settings. We introduce the concept of twin subspaces that enables an efficient reduced-order modeling of the transfer. Our experiments demonstrate that RIM handles complex meshes and highly resolved fluids for large time steps at high framerates on off-the-shelf hardware, even in the presence of high velocities and rapid user interaction. Furthermore, it extends reduced-order elasticity solvers such as Hyper-Reduced Projective Dynamics with natural collision handling.

Potential visibility has historically always been of importance when rendering performance was insufficient. With the rise of virtual reality, rendering power may once again be insufficient, e.g., for integrated graphics of head-mounted displays. To tackle the issue of efficient potential visibility computations on modern graphics hardware, we introduce the camera offset space (COS). Opposite to how traditional visibility computations work---where one determines which pixels are covered by an object under all potential viewpoints---the COS describes under which camera movement a sample location is covered by a triangle. In this way, the COS opens up a new set of possibilities for visibility computations. By evaluating the pairwise relations of triangles in the COS, we show how to efficiently determine occluded triangles. Constructing the COS for all pixels of a rendered view leads to a complete potentially visible set (PVS) for complex scenes. By fusing triangles to larger occluders, including locations between pixel centers, and considering camera rotations, we describe an exact PVS algorithm that includes all viewing directions inside a view cell. Implementing the COS is a combination of real-time rendering and compute steps. We provide the first GPU PVS implementation that works without preprocessing, on-the-fly, on unconnected triangles. This opens the door to a new approach of rendering for virtual reality head-mounted displays and server-client settings for streaming 3D applications such as video games.

3D visual computing data are often spatially sparse. To exploit such sparsity, people have developed hierarchical sparse data structures, such as multi-level sparse voxel grids, particles, and 3D hash tables. However, developing and using these high-performance sparse data structures is challenging, due to their intrinsic complexity and overhead. We propose Taichi, a new data-oriented programming language for efficiently authoring, accessing, and maintaining such data structures. The language offers a high-level, data structure-agnostic interface for writing computation code. The user independently specifies the data structure. We provide several elementary components with different sparsity properties that can be arbitrarily composed to create a wide range of multi-level sparse data structures. This decoupling of data structures from computation makes it easy to experiment with different data structures without changing computation code, and allows users to write computation as if they are working with a dense array. Our compiler then uses the semantics of the data structure and index analysis to automatically optimize for locality, remove redundant operations for coherent accesses, maintain sparsity and memory allocations, and generate efficient parallel and vectorized instructions for CPUs and GPUs. Our approach yields competitive performance on common computational kernels such as stencil applications, neighbor lookups, and particle scattering. We demonstrate our language by implementing simulation, rendering, and vision tasks including a material point method simulation, finite element analysis, a multigrid Poisson solver for pressure projection, volumetric path tracing, and 3D convolution on sparse grids. Our computation-data structure decoupling allows us to quickly experiment with different data arrangements, and to develop high-performance data structures tailored for specific computational tasks. With 110 th as many lines of code, we achieve 4.55× higher performance on average, compared to hand-optimized reference implementations.

The ability to generate novel, diverse, and realistic 3D shapes along with associated part semantics and structure is central to many applications requiring high-quality 3D assets or large volumes of realistic training data. A key challenge towards this goal is how to accommodate diverse shape variations, including both continuous deformations of parts as well as structural or discrete alterations which add to, remove from, or modify the shape constituents and compositional structure. Such object structure can typically be organized into a hierarchy of constituent object parts and relationships, represented as a hierarchy of n-ary graphs. We introduce StructureNet, a hierarchical graph network which (i) can directly encode shapes represented as such n-ary graphs, (ii) can be robustly trained on large and complex shape families, and (iii) be used to generate a great diversity of realistic structured shape geometries. Technically, we accomplish this by drawing inspiration from recent advances in graph neural networks to propose an order-invariant encoding of n-ary graphs, considering jointly both part geometry and inter-part relations during network training. We extensively evaluate the quality of the learned latent spaces for various shape families and show significant advantages over baseline and competing methods. The learned latent spaces enable several structure-aware geometry processing applications, including shape generation and interpolation, shape editing, or shape structure discovery directly from un-annotated images, point clouds, or partial scans.

The shader system for a modern game engine comprises much more than just compilation of source code to executable kernels. Shaders must also be exposed to art tools, interfaced with engine code, and specialized for performance. Engines typically address each of these tasks in an ad hoc fashion, without a unifying abstraction. The alternative of developing a more powerful compiler framework is prohibitive for most engines. In this paper, we identify staged metaprogramming as a unifying abstraction and implementation strategy to develop a powerful shader system with modest effort. By using a multi-stage language to perform metaprogramming at compile time, engine-specific code can consume, analyze, transform, and generate shader code that will execute at runtime. Staged metaprogramming reduces the effort required to implement a shader system that provides earlier error detection, avoids repeat declarations of shader parameters, and explores opportunities to improve performance. To demonstrate the value of this approach, we design and implement a shader system, called Selos, built using staged metaprogramming. In our system, shader and application code are written in the same language and can share types and functions. We implement a design space exploration framework for Selos that investigates static versus dynamic composition of shader features, exploring the impact of shader specialization in a deferred renderer. Staged metaprogramming allows Selos to provide compelling features with a simple implementation.

We present a novel and general framework for the design and control of underwater soft-bodied animals. The whole body of an animal consisting of soft tissues is modeled by tetrahedral and triangular FEM meshes. The contraction of muscles embedded in the soft tissues actuates the body and limbs to move. We present a novel muscle excitation model that mimics the anatomy of muscular hydrostats and their muscle excitation patterns. Our deep reinforcement learning algorithm equipped with the muscle excitation model successfully learned the control policy of soft-bodied animals, which can be physically simulated in real-time, controlled interactively, and resilient to external perturbations. We demonstrate the effectiveness of our approach with various simulated animals including octopuses, lampreys, starfishes, stingrays and cuttlefishes. They learn diverse behaviors such as swimming, grasping, and escaping from a bottle. We also implemented a simple user interface system that allows the user to easily create their creatures.

Light transport is a complex problem with many solutions. Practitioners are now faced with the difficult task of choosing which rendering algorithm to use for any given scene. Simple Monte Carlo methods, such as path tracing, work well for the majority of lighting scenarios, but introduce excessive variance when they encounter transport they cannot sample (such as caustics). More sophisticated rendering algorithms, such as bidirectional path tracing, handle a larger class of light transport robustly, but have a high computational overhead that makes them inefficient for scenes that are not dominated by difficult transport. The underlying problem is that rendering algorithms can only be executed indiscriminately on all transport, even though they may only offer improvement for a subset of paths. In this paper, we introduce a new scheme for selectively combining different Monte Carlo rendering algorithms. We use a simple transport method (e.g. path tracing) as the base, and treat high variance "fireflies" as seeds for a Markov chain that locally uses a Metropolised version of a more sophisticated transport method for exploration, removing the firefly in an unbiased manner. We use a weighting scheme inspired by multiple importance sampling to partition the integrand into regions the base method can sample well and those it cannot, and only use Metropolis for the latter. This constrains the Markov chain to paths where it offers improvement, and keeps it away from regions already handled well by the base estimator. Combined with stratified initialization, short chain lengths and careful allocation of samples, this vastly reduces non-uniform noise and temporal flickering artifacts normally encountered with a global application of Metropolis methods. Through careful design choices, we ensure our algorithm never performs much worse than the base estimator alone, and usually performs significantly better, thereby reducing the need to experiment with different algorithms for each scene.

Version control systems are the foundation of collaborative workflows for text documents. For 3D environments though, version control is still an open problem due to the heterogeneous data of 3D scenes and their size. In this paper, we present a practical version control system for 3D scenes comprised of shapes, materials, textures, and animations, combined together in scene graphs. We version objects at their finest granularity, to make repositories smaller and to allow artists to work concurrently on the same object. Since, for some scene data, computing an optimal set of changes between versions is not computationally feasible, version control systems use heuristics. Compared to prior work, we propose heuristics that are efficient, robust, and independent of the application. We test our system on a variety of large scenes edited with different workflows, and show that our approach can handle all cases well while remaining efficient as scene size increases. Compared to prior work, we are significantly faster and more robust. A user study confirms that our system aids collaboration.

In this paper, we present ScalarFlow, a first large-scale data set of reconstructions of real-world smoke plumes. In addition, we propose a framework for accurate physics-based reconstructions from a small number of video streams. Central components of our framework are a novel estimation of unseen inflow regions and an efficient optimization scheme constrained by a simulation to capture real-world fluids. Our data set includes a large number of complex natural buoyancy-driven flows. The flows transition to turbulence and contain observable scalar transport processes. As such, the ScalarFlow data set is tailored towards computer graphics, vision, and learning applications. The published data set contains volumetric reconstructions of velocity and density as well as the corresponding input image sequences with calibration data, code, and instructions how to reproduce the commodity hardware capture setup. We further demonstrate one of the many potential applications: a first perceptual evaluation study, which reveals that the complexity of the reconstructed flows would require large simulation resolutions for regular solvers in order to recreate at least parts of the natural complexity contained in the captured data.

We introduce SDM-NET, a deep generative neural network which produces structured deformable meshes. Specifically, the network is trained to generate a spatial arrangement of closed, deformable mesh parts, which respects the global part structure of a shape collection, e.g., chairs, airplanes, etc. Our key observation is that while the overall structure of a 3D shape can be complex, the shape can usually be decomposed into a set of parts, each homeomorphic to a box, and the finer-scale geometry of the part can be recovered by deforming the box. The architecture of SDM-NET is that of a two-level variational autoencoder (VAE). At the part level, a PartVAE learns a deformable model of part geometries. At the structural level, we train a Structured Parts VAE (SP-VAE), which jointly learns the part structure of a shape collection and the part geometries, ensuring the coherence between global shape structure and surface details. Through extensive experiments and comparisons with the state-of-the-art deep generative models of shapes, we demonstrate the superiority of SDM-NET in generating meshes with visual quality, flexible topology, and meaningful structures, benefiting shape interpolation and other subsequent modeling tasks.

Differentiable rendering has recently opened the door to a number of challenging inverse problems involving photorealistic images, such as computational material design and scattering-aware reconstruction of geometry and materials from photographs. Differentiable rendering algorithms strive to estimate partial derivatives of pixels in a rendered image with respect to scene parameters, which is difficult because visibility changes are inherently non-differentiable. We propose a new technique for differentiating path-traced images with respect to scene parameters that affect visibility, including the position of cameras, light sources, and vertices in triangle meshes. Our algorithm computes the gradients of illumination integrals by applying changes of variables that remove or strongly reduce the dependence of the position of discontinuities on differentiable scene parameters. The underlying parameterization is created on the fly for each integral and enables accurate gradient estimates using standard Monte Carlo sampling in conjunction with automatic differentiation. Importantly, our approach does not rely on sampling silhouette edges, which has been a bottleneck in previous work and tends to produce high-variance gradients when important edges are found with insufficient probability in scenes with complex visibility and high-resolution geometry. We show that our method only requires a few samples to produce gradients with low bias and variance for challenging cases such as glossy reflections and shadows. Finally, we use our differentiable path tracer to reconstruct the 3D geometry and materials of several real-world objects from a set of reference photographs.