CVPR 2024 Papers

Text-to-image diffusion models allow seamless generation of personalized images from scant reference photos. Yet these tools in the wrong hands can fabricate misleading or harmful content endangering individuals. To address this problem existing poisoning-based approaches perturb user images in an imperceptible way to render them "unlearnable" from malicious uses. We identify two limitations of these defending approaches: i) sub-optimal due to the hand-crafted heuristics for solving the intractable bilevel optimization and ii) lack of robustness against simple data transformations like Gaussian filtering. To solve these challenges we propose MetaCloak which solves the bi-level poisoning problem with a meta-learning framework with an additional transformation sampling process to craft transferable and robust perturbation. Specifically we employ a pool of surrogate diffusion models to craft transferable and model-agnostic perturbation. Furthermore by incorporating an additional transformation process we design a simple denoising-error maximization loss that is sufficient for causing transformation-robust semantic distortion and degradation in a personalized generation. Extensive experiments on the VGGFace2 and CelebA-HQ datasets show that MetaCloak outperforms existing approaches. Notably MetaCloak can successfully fool online training services like Replicate in a black-box manner demonstrating the effectiveness of MetaCloak in real-world scenarios.

Music is a universal language that can communicate emotions and feelings. It forms an essential part of the whole spectrum of creative media ranging from movies to social media posts. Machine learning models that can synthesize music are predominantly conditioned on textual descriptions of it. Inspired by how musicians compose music not just from a movie script but also through visualizations we propose MeLFusion a model that can effectively use cues from a textual description and the corresponding image to synthesize music. MeLFusion is a text-to-music diffusion model with a novel "visual synapse" which effectively infuses the semantics from the visual modality into the generated music. To facilitate research in this area we introduce a new dataset MeLBench and propose a new evaluation metric IMSM. Our exhaustive experimental evaluation suggests that adding visual information to the music synthesis pipeline significantly improves the quality of generated music measured both objectively and subjectively with a relative gain of up to 67.98% on the FAD score. We hope that our work will gather attention to this pragmatic yet relatively under-explored research area.

Physically-Based Rendering (PBR) is key to modeling the interaction between light and materials and finds extensive applications across computer graphics domains. However acquiring PBR materials is costly and requires special apparatus. In this paper we propose a method to extract PBR materials from a single real-world image. We do so in two steps: first we map regions of the image to material concept tokens using a diffusion model allowing the sampling of texture images resembling each material in the scene. Second we leverage a separate network to decompose the generated textures into spatially varying BRDFs (SVBRDFs) offering us readily usable materials for rendering applications. Our approach relies on existing synthetic material libraries with SVBRDF ground truth. It exploits a diffusion-generated RGB texture dataset to allow generalization to new samples using unsupervised domain adaptation (UDA). Our contributions are thoroughly evaluated on synthetic and real-world datasets. We further demonstrate the applicability of our method for editing 3D scenes with materials estimated from real photographs. Along with video we share code and models as open-source on the project page: https://github.com/astra-vision/MaterialPalette

The robust association of the same objects across video frames in complex scenes is crucial for many applications especially object tracking. Current methods predominantly rely on labeled domain-specific video datasets which limits cross-domain generalization of learned similarity embeddings. We propose MASA a novel method for robust instance association learning capable of matching any objects within videos across diverse domains without tracking labels. Leveraging the rich object segmentation from the Segment Anything Model (SAM) MASA learns instance-level correspondence through exhausive data transformations. We treat the SAM outputs as dense object region proposals and learn to match those regions from a vast image collection. We further design a universal MASA adapter which can work in tandem with foundational segmentation or detection models and enable them to track any detected objects. Those combinations present strong zero-shot tracking ability in complex domains. Extensive tests on multiple challenging MOT and MOTS benchmarks indicate that the proposed method using only unlabelled static images achieves even better performance than state-of-the-art methods trained with fully annotated in-domain video sequences in zero-shot association. Our code is available at https://github.com/siyuanliii/masa.

Given two images we can estimate the relative camera pose between them by establishing image-to-image correspondences. Usually correspondences are 2D-to-2D and the pose we estimate is defined only up to scale. Some applications aiming at instant augmented reality anywhere require scale-metric pose estimates and hence they rely on external depth estimators to recover the scale. We present MicKey a keypoint matching pipeline that is able to predict metric correspondences in 3D camera space. By learning to match 3D coordinates across images we are able to infer the metric relative pose without depth measurements. Depth measurements are also not required for training nor are scene reconstructions or image overlap information. MicKey is supervised only by pairs of images and their relative poses. MicKey achieves state-of-the-art performance on the Map-Free Relocalisation benchmark while requiring less supervision than competing approaches.

Creating high-quality materials in computer graphics is a challenging and time-consuming task which requires great expertise. To simplify this process we introduce MatFuse a unified approach that harnesses the generative power of diffusion models for creation and editing of 3D materials. Our method integrates multiple sources of conditioning including color palettes sketches text and pictures enhancing creative possibilities and granting fine-grained control over material synthesis. Additionally MatFuse enables map-level material editing capabilities through latent manipulation by means of a multi-encoder compression model which learns a disentangled latent representation for each map. We demonstrate the effectiveness of MatFuse under multiple conditioning settings and explore the potential of material editing. Finally we assess the quality of the generated materials both quantitatively in terms of CLIP-IQA and FID scores and qualitatively by conducting a user study. Source code for training MatFuse and supplemental materials are publicly available at https://gvecchio.com/matfuse.

Recent advances in generative AI have significantly enhanced image and video editing particularly in the context of text prompt control. State-of-the-art approaches predominantly rely on diffusion models to accomplish these tasks. However the computational demands of diffusion-based methods are substantial often necessitating large-scale paired datasets for training and therefore challenging the deployment in real applications. To address these issues this paper breaks down the text-based video editing task into two stages. First we leverage an pre-trained text-to-image diffusion model to simultaneously edit few keyframes in an zero-shot way. Second we introduce an efficient model called MaskINT which is built on non-autoregressive masked generative transformers and specializes in frame interpolation between the edited keyframes using the structural guidance from intermediate frames. Experimental results suggest that our MaskINT achieves comparable performance with diffusion-based methodologies while significantly improve the inference time. This research offers a practical solution for text-based video editing and showcases the potential of non-autoregressive masked generative transformers in this domain.

Despite the remarkable process of talking-head-based avatar-creating solutions directly generating anchor-style videos with full-body motions remains challenging. In this study we propose Make-Your-Anchor a novel system necessitating only a one-minute video clip of an individual for training subsequently enabling the automatic generation of anchor-style videos with precise torso and hand movements. Specifically we finetune a proposed structure-guided diffusion model on input video to render 3D mesh conditions into human appearances. We adopt a two-stage training strategy for the diffusion model effectively binding movements with specific appearances. To produce arbitrary long temporal video we extend the 2D U-Net in the frame-wise diffusion model to a 3D style without additional training cost and a simple yet effective batch-overlapped temporal denoising module is proposed to bypass the constraints on video length during inference. Finally a novel identity-specific face enhancement module is introduced to improve the visual quality of facial regions in the output videos. Comparative experiments demonstrate the effectiveness and superiority of the system in terms of visual quality temporal coherence and identity preservation outperforming SOTA diffusion/non-diffusion methods. Project page: https://github.com/ICTMCG/Make-Your-Anchor.

Creating high-dynamic videos such as motion-rich actions and sophisticated visual effects poses a significant challenge in the field of artificial intelligence. Unfortunately current state-of-the-art video generation methods primarily focusing on text-to-video generation tend to produce video clips with minimal motions despite maintaining high fidelity. We argue that relying solely on text instructions is insufficient and suboptimal for video generation. In this paper we introduce PixelDance a novel approach based on diffusion models that incorporates image instructions for both the first and last frames in conjunction with text instructions for video generation. Comprehensive experimental results demonstrate that PixelDance trained with public data exhibits significantly better proficiency in synthesizing videos with complex scenes and intricate motions setting a new standard for video generation.

This paper studies the human image animation task which aims to generate a video of a certain reference identity following a particular motion sequence. Existing animation works typically employ the frame-warping technique to animate the reference image towards the target motion. Despite achieving reasonable results these approaches face challenges in maintaining temporal consistency throughout the animation due to the lack of temporal modeling and poor preservation of reference identity. In this work we introduce MagicAnimate a diffusion-based framework that aims at enhancing temporal consistency preserving reference image faithfully and improving animation fidelity. To achieve this we first develop a video diffusion model to encode temporal information. Second to maintain the appearance coherence across frames we introduce a novel appearance encoder to retain the intricate details of the reference image. Leveraging these two innovations we further employ a simple video fusion technique to encourage smooth transitions for long video animation. Empirical results demonstrate the superiority of our method over baseline approaches on two benchmarks. Notably our approach outperforms the strongest baseline by over 38% in terms of video fidelity on the challenging TikTok dancing dataset. Code and model will be made available at https://showlab.github.io/magicanimate.

We present MVD-Fusion: a method for single-view 3D inference via generative modeling of multi-view-consistent RGB-D images. While recent methods pursuing 3D inference advocate learning novel-view generative models these generations are not 3D-consistent and require a distillation process to generate a 3D output. We instead cast the task of 3D inference as directly generating mutually-consistent multiple views and build on the insight that additionally inferring depth can provide a mechanism for enforcing this consistency. Specifically we train a denoising diffusion model to generate multi-view RGB-D images given a single RGB input image and leverage the (intermediate noisy) depth estimates to obtain reprojection-based conditioning to maintain multi-view consistency. We train our model using large-scale synthetic dataset Obajverse as well as the real-world CO3D dataset comprising of generic camera viewpoints. We demonstrate that our approach can yield more accurate synthesis compared to recent state-of-the-art including distillation-based 3D inference and prior multi-view generation methods. We also evaluate the geometry induced by our multi-view depth prediction and find that it yields a more accurate representation than other direct 3D inference approaches.

We propose a novel approach to video anomaly detection: we treat feature vectors extracted from videos as realizations of a random variable with a fixed distribution and model this distribution with a neural network. This lets us estimate the likelihood of test videos and detect video anomalies by thresholding the likelihood estimates. We train our video anomaly detector using a modification of denoising score matching a method that injects training data with noise to facilitate modeling its distribution. To eliminate hyperparameter selection we model the distribution of noisy video features across a range of noise levels and introduce a regularizer that tends to align the models for different levels of noise. At test time we combine anomaly indications at multiple noise scales with a Gaussian mixture model. Running our video anomaly detector induces minimal delays as inference requires merely extracting the features and forward-propagating them through a shallow neural network and a Gaussian mixture model. Our experiments on five popular video anomaly detection benchmarks demonstrate state-of-the-art performance both in the object-centric and in the frame-centric setup.

Recent advancements in single image driven 3D content generation have been propelled by leveraging prior knowledge from pretrained 2D diffusion models. However the 3D content generated by existing methods often exhibits distorted outline shapes and inadequate details. To solve this problem we propose a novel framework called Mask-enhanced Progressive Outline-to-Detail optimization (aka. MPOD123) which consists of two stages. Specifically in the first stage MPOD123 utilizes the pretrained view-conditioned diffusion model to guide the outline shape optimization of the 3D content. Given certain viewpoint we estimate outline shape priors in the form of 2D mask from the 3D content by leveraging opacity calculation. In the second stage MPOD123 incorporates Detail Appearance Inpainting (DAI) to guide the refinement on local geometry and texture with the shape priors. The essence of DAI lies in the Mask Rectified Cross-Attention (MRCA) which can be conveniently plugged in the stable diffusion model. The MRCA module utilizes the mask to rectify the attention map from each cross-attention layer. Accompanied with this new module DAI is capable of guiding the detail refinement of the 3D content while better preserves the outline shape. To assess the applicability in practical scenarios we contribute a new dataset modeled on real-world e-commerce environments. Extensive quantitative and qualitative experiments on this dataset and open benchmarks demonstrate the effectiveness of MPOD123 over the state-of-the-arts.

Recent advances in text-to-motion generation using diffusion and autoregressive models have shown promising results. However these models often suffer from a trade-off between real-time performance high fidelity and motion editability. To address this gap we introduce MMM a novel yet simple motion generation paradigm based on Masked Motion Model. MMM consists of two key components: (1) a motion tokenizer that transforms 3D human motion into a sequence of discrete tokens in latent space and (2) a conditional masked motion transformer that learns to predict randomly masked motion tokens conditioned on the pre-computed text tokens. By attending to motion and text tokens in all directions MMM explicitly captures inherent dependency among motion tokens and semantic mapping between motion and text tokens. During inference this allows parallel and iterative decoding of multiple motion tokens that are highly consistent with fine-grained text descriptions therefore simultaneously achieving high-fidelity and high-speed motion generation. In addition MMM has innate motion editability. By simply placing mask tokens in the place that needs editing MMM automatically fills the gaps while guaranteeing smooth transitions between editing and non-editing parts. Extensive experiments on the HumanML3D and KIT-ML datasets demonstrate that MMM surpasses current leading methods in generating high-quality motion (evidenced by superior FID scores of 0.08 and 0.429) while offering advanced editing features such as body-part modification motion in-betweening and the synthesis of long motion sequences. In addition MMM is two orders of magnitude faster on a single mid-range GPU than editable motion diffusion models. Our project page is available at https://exitudio.github.io/MMM-page/.

In recent years Text-to-Image (T2I) models have seen remarkable advancements gaining widespread adoption. However this progress has inadvertently opened avenues for potential misuse particularly in generating inappropriate or Not-Safe-For-Work (NSFW) content. Our work introduces MMA-Diffusion a framework that presents a significant and realistic threat to the security of T2I models by effectively circumventing current defensive measures in both open-source models and commercial online services. Unlike previous approaches MMA-Diffusion leverages both textual and visual modalities to bypass safeguards like prompt filters and post-hoc safety checkers thus exposing and highlighting the vulnerabilities in existing defense mechanisms. Our codes are available at https://github.com/cure-lab/MMA-Diffusion.

Feature matching is a crucial task in the field of computer vision which involves finding correspondences between images. Previous studies achieve remarkable performance using learning-based feature comparison. However the pervasive presence of matching redundancy between images gives rise to unnecessary and error-prone computations in these methods imposing limitations on their accuracy. To address this issue we propose MESA a novel approach to establish precise area (or region) matches for efficient matching redundancy reduction. MESA first leverages the advanced image understanding capability of SAM a state-of-the-art foundation model for image segmentation to obtain image areas with implicit semantic. Then a multi-relational graph is proposed to model the spatial structure of these areas and construct their scale hierarchy. Based on graphical models derived from the graph the area matching is reformulated as an energy minimization task and effectively resolved. Extensive experiments demonstrate that MESA yields substantial precision improvement for multiple point matchers in indoor and outdoor downstream tasks e.g. +13.61% for DKM in indoor pose estimation.

We introduce Multi-view Ancestral Sampling (MAS) a method for 3D motion generation using 2D diffusion models that were trained on motions obtained from in-the-wild videos. As such MAS opens opportunities to exciting and diverse fields of motion previously under-explored as 3D data is scarce and hard to collect. MAS works by simultaneously denoising multiple 2D motion sequences representing different views of the same 3D motion. It ensures consistency across all views at each diffusion step by combining the individual generations into a unified 3D sequence and projecting it back to the original views. We demonstrate MAS on 2D pose data acquired from videos depicting professional basketball maneuvers rhythmic gymnastic performances featuring a ball apparatus and horse races. In each of these domains 3D motion capture is arduous and yet MAS generates diverse and realistic 3D sequences. Unlike the Score Distillation approach which optimizes each sample by repeatedly applying small fixes our method uses a sampling process that was constructed for the diffusion framework. As we demonstrate MAS avoids common issues such as out-of-domain sampling and mode-collapse. https://guytevet.github.io/mas-page/

The rapid expansion of large-scale text-to-image diffusion models has raised growing concerns regarding their potential misuse in creating harmful or misleading content. In this paper we introduce MACE a finetuning framework for the task of mass concept erasure. This task aims to prevent models from generating images that embody unwanted concepts when prompted. Existing concept erasure methods are typically restricted to handling fewer than five concepts simultaneously and struggle to find a balance between erasing concept synonyms (generality) and maintaining unrelated concepts (specificity). In contrast MACE differs by successfully scaling the erasure scope up to 100 concepts and by achieving an effective balance between generality and specificity. This is achieved by leveraging closed-form cross-attention refinement along with LoRA finetuning collectively eliminating the information of undesirable concepts. Furthermore MACE integrates multiple LoRAs without mutual interference. We conduct extensive evaluations of MACE against prior methods across four different tasks: object erasure celebrity erasure explicit content erasure and artistic style erasure. Our results reveal that MACE surpasses prior methods in all evaluated tasks. Code is available at https://github.com/Shilin-LU/MACE.